ExpressionNavigating the site:
The prominent aim of art.
T. E. Hulme, British
Philosopher, poet and soldier.
perspective | metaphor | two means
The great aim is accurate, precise and definite description. The first thing is to recognize how extraordinarily difficult this is. It is no mere matter of carefulness; you have to use language, and language is by its very nature a communal thing; that is it expresses never the exact thing but a compromise --that which is common to you, me and everybody.
But each man sees a little
differently, and what he does see, he must have a terrific struggle
with language, whether it be with words or the techniques of other arts.
Language has its own special nature, its own conventions and communal
ideas. It is only by a concentrated effort of the mind that you can
hold it fixed to your own purpose.
Einstein walks with Bohr:
their deep disagreement over the character of subatomic physics led to endless debates
in which Einstein is reputed to have argued that "God does not play dice with the universe."
I always think that the fundamental process at the back of all the arts might be represented by the following metaphor.
You know what I call architect's curves--flat pieces of wood with all different kinds of curvature. By a suitable selection from these you can draw approximately any curve you like. The artist I take to be the man who simply can't bear the idea of that "approximately." He will get the exact curve of what he sees whether it be an object or an idea in the mind. I shall here have to change my metaphor a little to get the process in his mind. Suppose that instead of curved pieces of wood you have a springy piece of steel of the same types of curvature as the wood. Now the state of tension or concentration of mind, if he is doing anything really good in this struggle against the ingrained habit of technique, may be represented by a person employing all her fingers to bend the steel out of its own curve and into the exact curve which you want. Something different to what it would assume naturally.
There are then two things to distinguish, first the particular faculty of mind to see things as they really are, and apart from the conventional ways in which we have been trained to see them. This is itself rare enough in all consciousness. Second, the concentrated state of mind, the grip over oneself which is necessary in the actual expression of what one sees.
To prevent one falling into the conventional curves 
of
ingrained technique, to hold on through
infinite detail and trouble to the exact curve you want. Wherever you
get this sincerity, you get the fundamental quality of good art without
dragging in infinite or serious.
E. Hopper, Street Scene, c. 1930s
p. 29, New York Review of Books, 5-15-03, A. Alvarez, Making it New.
perspective | metaphor | two means | Back to start
Hints: Interpreting the author's meaning.
Architect's curves: a device for drawing non-linear designs used by graphic artists and architects who design buildings
consciousness: the mental awareness of a situation in relation to memory, experience and conditions, as opposed to the unconscious popularized by Sigmund Freud and psychoanalysis when Hulme was writing.
metaphor: a comparison of two unlike things without resort to using the words "like" or "as;" in contrast to a simile, the metaphor is a figure of speech an underlying characteristic of using language figuratively. see antonyms.
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